The Cranes Are Flying really impressed me for how modern it felt. "Funny story, I told Natalie I wanted to go on the group tour, and she was like, 'I'm not going on the group tour of Vertigo.' So, we had a private tour of all the locations where the film was shot."ĭirected by: Mikhail Kalatozov | Written by: Viktor Rozov "I actually went on the Vertigo tour in San Francisco," he shares. and fills it with modern dance, which the director also choreographed, naturally.īelow, Millepied shares with A.frame five films that influenced his own filmmaking sensibilities - with the understanding that it all started with Vertigo. Loosely inspired by Georges Bizet's 1875 opera of the same name, Millepied's version transports the tragedy to now - Melissa Barrera and Paul Mescal play lovers on the run in modern-day L.A. Over the years, he has made short dance films of his own.Ĭarmen marks his feature directorial debut. He later choreographed a pop star performance for Portman's Vox Lux, as well as the sandwalk "dance" for 2021's Oscar-winning Dune. In 2010, Millepied choreographed and performed as a dancer in Darren Aronofsky's Black Swan, which earned five Oscar nominations, and for which his wife, Natalie Portman, won Best Actress. "I went with Jerome Robbins and my friend, Aidan, to see that movie, and I think it was partly because of Bernard Herrmann's haunting score and the tension and the mystery of this man following this woman, it was a moment where I started to really think about that dream even more so." "I think seeing that movie was probably a turning point," Millepied says. Though his love of cinema took a backseat as he pursued a career as a dancer and choreographer, a revival screening of Alfred Hitchcock's Vertigo in his late teens reignited his passion to someday direct. to study under the tutelage of West Side Story's Jerome Robbins. Millepied began studying classical ballet by age 11 and at 15, moved to the U.S. "But these things have a huge emotional impact when you're young - the lighting, the camera, the environment, the drama, it's something that stays with you forever." "I spent most of the film under the seat," he recalls. Around that same time, she took Millepied to see Sydney Pollack's psychological drama, They Shoot Horses, Don't They?, in France. Benjamin Millepied first started dancing at the age of 8 when his mother, a former ballet dancer, became his first teacher.
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